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INDIA’S FABULOUS ARCHITECTURE—History’s Im- print on the Art of Building, by Hermann Goetz 163 Principal Historical Types 164; The Indus Valley Civilization 165; Vedic Aryan and Buddhist Age 166; The Hellenistic Interlude 168; The Classic Hindu Phase 169; Medieval Hindu Epoch 171; The Pagoda Architecture of Nepal 174; Indo-Islamic Period 175; Modem Influences 178.

PAINTING AND SCULPTURE — Stonecarvings, Bronzes, Miniatures, by William Curtis 179 Unmatched Artistry in Stone 181; Sculpture’s Epochs of Glory 183; Painting through the Ages 185. by Narayana Menon 188 VI TABLE OF CONTENTS Music is not an International Language 190; Characteristics of Indian Music 191.

by Khushwant Singh 99 Hospitality 100; Westernized and Traditional Indians 100; Making Friends 101; A Joint Indian Family 102; A Day in an Indian Household 103; Place of Religion In Indian Life 104; Caste and Untouchability 106; The Position of Women 107; Preoccupation with Politics 108; Indian Relaxation 108; Epilogue 110. THE HISTORY OF INDIA — ^From Invasions to Independ- ence, by KM.

English education also strengthened national consciousness by opening new vistas and permitting the spread of political ideas through Indian-owned newspapers.

India’s present-day lead- ers, almost to a man, bear the unmistakable stamp of English education.

INDIAN CLASSICAL DANCING— An Idiom of Religious Inspiration, by Rukmini Devi 193 Delight, Bom of True Understanding 194; The Dance of the Devadasis 196; Dance Dramas 197.

INDIAN CUISINE — The Spice of Life, by Susan Akers George 200 Some Like it Hot 201; A Wide Range of Curries 202; Cooked.

Exploring Rajasthan 299; Amber Palace 301; Alwar and Deeg.